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The Process

 

My overarching goal is to create for my clients a work that can be appreciated both as a family heirloom and as a piece of art.

 

My process begins with a meeting with the prospective client.  During this meeting we explore all facets: where the painting is to be displayed, degree of formality desired, setting, stylistic preferences, etc. Throughout this mutual interview I try to get to know as much as I can about the person(s) to be painted. I may offer my own ideas and suggestions to help the client consider aspects of the project they might not have considered or give them new ideas that we might explore so that the best possible outcome can be realized. 

 

As part of the process in developing the pose and overall concept for the portrait, I will make photographs of the subject.  At some point in this process (sometimes before, sometimes after, the initial photography session), I will make a study sketch in oil of the subject from life.  Although I have completed commissions without this step, I find that the opportunity to do so greatly informs my work in a positive manner.  It also provides an invaluable opportunity for me to engage with the subject and, thus, better capture their essence in the final portrait.  It is this living connection with the sitter that I will carry with me back to my studio. 

 

I will submit my understanding of the final details on composition, pose, size, etc. for official approval by the client before work on the portrait begins. In my studio, I will use the photographs and the oil sketch to create the portrait.  Near completion, ideally, I will meet again with the subject for another brief session so that I may make minor alterations to the painting from life if necessary. The portrait is not considered complete until approved by the client and the artist.

I will also paint entirely from life if the client so chooses.


Please contact the artist for commission fees

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